Super 35 CMOS 4K image sensor and MFT lens mount
The GY-LS300CH features a 4K CMOS Super 35 image sensor – a premium solution for uncompromised cinema production, ultra-clear broadcast video, as well as full resolution 4K video. This large sensor delivers a superior dynamic range, high S/N ratio and high sensitivity, contributing artistic visual expression including shallow depth of field ‘bokeh’ effects.
Super 35 sensor and Micro Four Thirds (MFT) lens mount provide a balance of high-end cinematic imagery and affordable glass. Dozens of high quality Micro Four Thirds lenses* are readily available and require no adapter. Thanks to the short flange focal distance (slightly less than 20mm) most cinema lenses can be adapted for use, whether PL mount or Canon EF mount. The mount’s electrical connections are compatible with many auto focus, iris and power zoom lenses, even when using an adapter.
CAMERA | JVC | GY-LS300CHE | 4K CMOS | Camcorder
One important difference from most Micro Four Thirds cameras is that the GY-LS300CH uses a Super 35 imager— approximately 35% larger than a standard MFT imager. JVC’s mount provides full coverage of the imager so Super 35 lenses may be used without vignetting. In fact, a number of S35 lenses are available that do not require an adapter. For the professional on a budget, having a camera this versatile can mean huge savings in lens purchases.
The GY-LS300CH features a 4K CMOS Super 35 image sensor – a premium solution for uncompromised cinema production, ultra-clear broadcast video, as well as full resolution 4K video. This large sensor delivers a superior dynamic range, high S/N ratio and high sensitivity, contributing artistic visual expression including shallow depth of field ‘bokeh’ effects.
Super 35 sensor and Micro Four Thirds (MFT) lens mount provide a balance of high-end cinematic imagery and affordable glass. Dozens of high quality Micro Four Thirds lenses* are readily available and require no adapter. Thanks to the short flange focal distance (slightly less than 20mm) most cinema lenses can be adapted for use, whether PL mount or Canon EF mount. The mount’s electrical connections are compatible with many auto focus, iris and power zoom lenses, even when using an adapter.
One important difference from most Micro Four Thirds cameras is that the GY-LS300CH uses a Super 35 imager— approximately 35% larger than a standard MFT imager. JVC’s mount provides full coverage of the imager so Super 35 lenses may be used without vignetting. In fact, a number of S35 lenses are available that do not require an adapter. For the professional on a budget, having a camera this versatile can mean huge savings in lens purchases.
Variable scan mapping
You can use a variety of Super 35, MFT or Super 16 lenses with ease. That’s because Variable Scan Mapping (VRSM) intelligently remaps the pixels on the sensor chip in accordance with the native field of view of the lens so that the pixels fill the entire picture frame—thereby eliminating vignetting. And that means professional cinematographers can actually use high-end, large format cinema 35 lenses on a handheld camera that will correctly frame those lenses. The images below illustrate how VRSM maximizes the pixels on the sensor chip to accommodate common lens sizes and maintain their original field of view.
4K (UHD) 60/50P HDMI output and 4K 4:2:2 recording
The GY-LS300CHE can output UHD (3840×2160) at 60/50p via its HDMI port. What’s more, JVC’s partnership with Atomos means the GY-LS300CHE operates seamlessly with the new Ninja Inferno and Shogun Inferno monitor recorders, triggering recording from the camera’s start/stop operation. Plus, when the camera is set to J-Log 1 gamma recording mode, the Atomos units will record the HDR footage and display it on their integrated, seven-inch monitors.
Compared to typical 4:2:0, the ability to record 4K (UHD) 4:2:2 30/25/24p at 150Mbps/70Mbps makes the GY-LS300CH an ideal camera for broadcasting and cinematic production houses alike. The color accuracy of 4:2:2 enables the GY-LS300CH to deliver exceptional color resolution even when images are in sharp contrast to the background which is particularly useful when strong colors are in contrast to bright backgrounds or in green screen uses. Full HD 4:2:2 60/50p recording at 50Mbps also possible.
JVC Log gamma (J-Log 1)
JVC Log mode delivers wide latitude and high dynamic range – up to 800 percent – to create images that truly rival the look of film. By preserving more information over the entire dynamic range and wide color gamut of the Super 35 sensor, log images will look flat and lack contrast but contain more information for grading and manipulation in post production giving you the opportunity to create truly stunning, cinematic results.
For the ultimate cinema look, record images in Cinema 4K (4096×2160) at 150 or 70Mbps, or Cinema 2K (2048×1080) at 50Mbps each with a 17:9 aspect ratio for digital cinema presentations. Both modes support recording in 23.98p or true 24p to match the frame rate of film.
Advanced IP network communication and live HD streaming
The camcorder features JVC’s latest IP communications engine, giving you remote control and monitoring of vital camera and lens functions from a tablet, smartphone, or computer anywhere in the world. Live streaming is possible in HD or SD resolutions, depending on available bandwidth. Connect your camera to an optional Wi-Fi or 4G/LTE modem and share your programme with an audience anywhere in the world via content delivery networks such as YouTube, Facebook Live, and other cloud services.
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